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New opinions on old music, maybe.......hopefully. Join Simon and his rotating cast of goons and guests as they attempt to offer a slice of colour to retroactively reviewing albums and looking back at chart countdowns. Rock, Metal, Punk, Pop, Rap, Easy Listening, nothing is off limits probably aside from mumble-rap, we’re too old for that.
Episodes
16 minutes ago
16 minutes ago
What better way to dive into a conversation about the album No More Idols by Chase & Status than to degenerate into discussions about Darren brown, Lindy Hop & punching girls? It’s the British dream!
Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.
Produced by Ning@studio2
Wednesday Mar 12, 2025
Wednesday Mar 12, 2025
"Slave to the Grind", released in 1991, is the second studio album by the American rock band Skid Row & followed their self-titled debut album, which had achieved significant commercial success. "Slave to the Grind" marked a notable evolution in the band's sound, showcasing a heavier and more aggressive style compared to their debut.
The album features a blend of hard rock and heavy metal elements, with powerful guitar riffs and a more mature lyrical approach. Gone are the good time party/girls/sweet little sister-esque tunes of the debut, replaced with lyrics about societal issues, strange folk & ‘The Man’. Obs being Skid Row, they also included their kind of weird, dark ballads as well as Sebastian Bach’s trademark scorching vocals.
The album holds the distinction of being the first metal album to debut at number 1 on the Billboard 200 & is probably regarded nowadays as a most-forgotten classic. So what better time, nearly 34 years later to give our opinions on the album track by track.
Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.
Produced by Ning@studio2
Wednesday Feb 26, 2025
Wednesday Feb 26, 2025
Call him the American Badass, the Early Morning Stoned Pimp, Bobby Shazam or stick to Kid Rock, whatever name Bob Ritchie goes by, he seems to get embroiled in controversy at some point. After exploding onto the mainstream (in the U.S. anyway) with 98’s “Devil Without A Cause” (15 million sold mofo) the Kid followed that up with his next album offering “Cocky”. The album is an absolute smorgasbord of styles, throwing Hip-Hop, Country Rock, Heavy Metal, Hard Rock and smooth, almost gospel licks into the mix.
We give the record a spin, work out if it’s any good, discuss the Rock/Pam Anderson coming together and everything else surrounding the leader of the Twisted Brown Trucker Band.
Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.
Produced by Ning@studio2
Wednesday Feb 12, 2025
Wednesday Feb 12, 2025
On this episode we head back into the Jukeboxpod A-Z. Artists covered include All Saints, Amy Winehouse, Anthrax, Arianna Grande, Avenged Sevenfold and lots, lots more. Discussions of Onlyfans, teary films, The (apparently) Greatest Guitar Solo of All Time, charity donations, Katy Perry’s dimensions & The Video Man ensue.
Stop your family being shamed for all eternity by handing out an high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.
Produced by Ning@studio2
Title music by StewyD & Del Jones
Thursday Jan 30, 2025
Thursday Jan 30, 2025
On this episode we head back once again to 1996 to look at a band often mentioned on the pod. "Coming Up" is the third album by alternative/indie rock band Suede, released on September 16, 1996. The album marked a significant point in the band's career, following the departure of guitarist Bernard Butler, who had been a key songwriter for their first two albums. Despite the change in lineup, Suede managed to produce a commercially successful and critically acclaimed album.
Musically, "Coming Up" features a more polished sound with hooky, pop reps compared to the band’s previous efforts, incorporating elements of glam rock and Brit Pop. It includes tracks like "Trash," "Beautiful Ones, "Film Star” & “Saturday Night," which became some of the band's most recognisable songs.
"Coming Up" received positive reviews from critics and was praised for its catchy melodies and anthemic choruses. It debuted at number one on the UK Albums Chart thanks to loads of airplay at the time and an insatiable appetite for British guitar bands.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.
Produced by Ning@studio2
Title music by StewyD & Del Jones
Monday Jan 13, 2025
Monday Jan 13, 2025
Ok, we’re back & it’s 2025 so let’s kick off with an album we’ve wanted to cover for a fair while…
"Monster" is the ninth studio album by R.E.M., released on September 29, 1994. The album marked a significant departure from the band's previous work, putting forward a somewhat more aggressive sound that combined elements of alternative rock and grunge, really popular in the early 90’s, don’t you know?
The recording of "Monster" was influenced by the personal struggles of frontman Michael Stipe, particularly in the wake of the band's rise to fame and the challenges of maintaining their identity. The album features themes of alienation, fame, and sexuality, with lyrics that often reflect Stipe's introspective style.
Musically, "Monster" is characterised by heavy guitar riffs, a driving rhythm section, and a raw production quality, which contrasts with the polished sound of their earlier efforts. The album includes notable tracks such as "What's the Frequency, Kenneth?", "Bang and Blame", and "Strange Currencies." "What's the Frequency, Kenneth?" became one of the band's most recognized songs, receiving significant radio airplay and being all over MTV at the time.
"Monster" was both a commercial success and a point of contention among fans and critics. It debuted at number one on the Billboard 200 chart and was certified multi-platinum in the United States. However, some critics were divided over the shift in sound and lyrical content.
The album is often viewed as a pivotal moment in R.E.M.'s career, as it marked their transition into the 1990s rock landscape while also reflecting the band's ability to evolve and experiment with their music.
You know the crack by now, let’s see if it’s any good or not.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x
Produced by Ning@studio2
Title music by StewyD & Del Jones
Wednesday Dec 18, 2024
Wednesday Dec 18, 2024
Wowzers! More than 3 years after part 1 of our look back through the music of U2 we return to finally conclude the band’s career. Picking up where we left off last time, we take the Zoorapa-shaped baton and slog it through right up to latest 40 track (!!?!) effort. Does mid-late U2 measure up? Are there any bangers? Can Bono and the boys still write a tune? Listen in & find out son.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from older men offering you sweets, you know the ones x
Produced by Ning@studio2
Title music by StewyD & Del Jones
Tuesday Dec 03, 2024
Tuesday Dec 03, 2024
"Disintegration" is the eighth studio album by The Cure, released on May 2, 1989. It is widely regarded as one of, if not THE band's most acclaimed works, and is often considered a landmark album in the post-punk and gothic rock genres.
The album was produced by Robert Smith, the band's frontman, along with longtime collaborator Mike Hedges. "Disintegration" features a dense, atmospheric sound characterized by lush instrumentation, layered guitar effects, and introspective lyrics that explore themes of love, loss, and existential despair.
Musically, "Disintegration" is notable for its use of synthesizers, drum machines, and a more pronounced atmospheric quality compared to The Cure's earlier work. The album's sound is often described as haunting and immersive, with tracks that flow seamlessly into one another.
Key tracks from the album include "Lovesong," "Pictures of You," "Lullaby," and "Fascination Street." "Lovesong," in particular, became one of The Cure's most commercially successful singles and is often named as one of their signature songs.
"Disintegration" received widespread critical acclaim upon its release and has since been recognized as one of the best albums of the 1980s and one of The Cure's finest achievements. It has influenced countless artists and continues to resonate with fans around the world. The album's introspective and melancholic themes, coupled with its rich sonic landscape, have solidified its status as a classic in alternative music.
Obs for this one we’ve got our old mate Stewart Boyd onboard. Listen in as he delivers his own personal love letter to Robert Smith.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x
Produced by Ning@studio2
Title music by StewyD & Del Jones
Monday Nov 18, 2024
Monday Nov 18, 2024
"Different Class" is the fifth (yes, fifth) studio album by Pulp, released on March 30, 1995. It is widely regarded as one of the most significant albums of the Britpop era and played a crucial role in establishing Pulp as one of the biggest British acts of the mid-to-late 1990s. The album features a heady blend of pop, rock, and elements of electronic music, showcasing Pulp's eclectic sound.
Thematically, "Different Class" explores issues of class, social dynamics, and the British experience, often with a sharp, satirical edge. The lyrics, written by frontman Jarvis Cocker, are known for their sardonic wit and observational style. On this record are the band’s big breakout hits such as "Common People," which is Pulp's signature song alongside "Disco 2000," "Sorted for E's & Wizz," and "Something Changed."
"Different Class" received critical acclaim upon its release, went on to achieve commercial success and won the Mercury Music prize, reaching the top of the UK Albums Charts on its week of release and is often praised for its cultural impact and lyrical depth. The album helped solidify Pulp's place in music history and remains a touchstone for discussions about Britpop and 90s music.
On this episode we take it track by track & find a find an absolute gem as well as chat about Jarvis’s Jacko incident.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x
Produced by Ning@studio2
Title music by StewyD & Del Jones
Wednesday Oct 30, 2024
Wednesday Oct 30, 2024
Suppose we had to get round to this one at some point, eh? “Korn," released in 1994 to an unsuspecting audience, is the self-titled debut album by the American Nu-Metal band Korn (but don’t tell them they’re Nu-Metal, cause they are). This groundbreaking record is often credited with birthing the nu-metal genre, blending heavy metal with elements of hip-hop and alternative rock. The album features raw, emotionally charged lyrics that delve into themes of pain, alienation, and personal struggle, reflecting the tumultuous experiences of lead vocalist Jonathan Davis. Tracks like "Blind," "Shoots and Ladders," and "Clown" showcase the band's signature sound, characterised by heavy guitar riffs, weirdly aggressive drumming, and Davis's distinctive vocal style, which switches between haunting melodies and fierce, animalistic growls. The album's innovative approach and unfiltered honesty resonated with a generation of listeners yearning for the new thing, earning Korn a dedicated following. Labelled by more than one source as the most important change in metal music, it laid the groundwork for countless bands that followed in the nu-metal and alternative metal scenes.
We cover all tracks on the album as well as picking a few tracks from later offerings. 1994 ay? What a time…..
Plus, all the votes have been cast and we run down the top 10 One Hit Wonders as decided by our boys & girls here on the pod. It’s a disgrace Babylon Zoo didn’t win tbh.
Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!
If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com
You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x
Produced by Ning@studio2
Title music by StewyD & Del Jones