Personal Jukebox Music Podcast

NOTE - THERE WILL BE A SLIGHTLY LONGER GAP BETWEEN THIS EPISODE AND THE NEXT ONE DUE TO STUFF. Don’t worry though we will be back soon.

 

Everybody knows The Beatles, right? Sgt. Pepper, mop tops, yellow submarines, she loves you, yeah yeah yeah. Well believe it or not, me and Sex Neil had never in our lives listened to Abbey Road so we did. 

Are the most decorated, most illustrious and quite possibly the most famous band in the world ever worthy of the hype bestowed upon them? Listen in & find out

 

Do your mates over here at the pod a big favour and rate or review the show on your provider. That would be great! You can get in touch with us to commend or contradict our opinions through the magic of email on jukeboxpod@gmail.com 

Follow the show on Facebook or Instagram to see nice pics & stuff. Word to your mother.

Brand New Eyes" is the third studio album by Paramore, released on September 29th 2009. It marked a significant moment in the band's career, both musically and personally due to internal tensions that influenced its creation leading to some band members leaving the room and never coming back. Fair play to the kids though, they definitely know how to produce a riff or two and they pack their tunes with more hooks than a fisherman’s tackle box!

Depending on your opinion, the album either dives into themes of personal growth, disillusionment, conflict, and the struggle to reconcile differences among band members or comes across as Millennials rattling on & inflating their first world problems (I’ll leave you to decide which side of the fence you fall on there). 

As always, the main question is “Is it any good?” Listen in old pal & find out.

 

Do your mates over here at the pod a big favour and rate or review the show on your provider. That would be great! You can get in touch with us to commend or contradict our opinions through the magic of email on jukeboxpod@gmail.com 

Follow the show on Facebook or Instagram to see nice pics & stuff. Word to your mother

Evil Empire is the second studio album by Rage Against The Machine. Released nearly 4 years after the band’s debut, the album is the expected RATM blend of rap, metal & funk that continues the group’s politically-charged sound and message. On the menu we’ve got tracks about the Zapatista uprising in Mexico, class warfare, racial inequality, political propaganda & critique as well as bonus revolutionary themes. Oh goody goody gumdrops. 

Luckily, there’s boatloads of Tom Morello’s meaty riffs & guitar wizardry to go around as well as the signature Rage groove-heavy backbone rhythm section. 

 

Spread the love and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that subscribe button too!

If you’ve got any questions about the show, need to strenuously contest the opinions, want to suggest an album for us to cover or just want to say What’s up to your boys then contact us through the magic of email at jukeboxpod@gmail.com or follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook.

 

Produced by Ning@studio2

What better way to dive into a conversation about the album No More Idols by Chase & Status than to degenerate into discussions about Darren brown, Lindy Hop & punching girls? It’s the British dream!

 

Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.

 

Produced by Ning@studio2

"Slave to the Grind", released in 1991, is the second studio album by the American rock band Skid Row & followed their self-titled debut album, which had achieved significant commercial success. "Slave to the Grind" marked a notable evolution in the band's sound, showcasing a heavier and more aggressive style compared to their debut.

 

The album features a blend of hard rock and heavy metal elements, with powerful guitar riffs and a more mature lyrical approach. Gone are the good time party/girls/sweet little sister-esque tunes of the debut, replaced with lyrics about societal issues, strange folk & ‘The Man’. Obs being Skid Row, they also included their kind of weird, dark ballads as well as Sebastian Bach’s trademark scorching vocals.

 

The album holds the distinction of being the first metal album to debut at number 1 on the Billboard 200 & is probably regarded nowadays as a most-forgotten classic. So what better time, nearly 34 years later to give our opinions on the album track by track.

 

Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.

 

Produced by Ning@studio2

Call him the American Badass, the Early Morning Stoned Pimp, Bobby Shazam or stick to Kid Rock, whatever name Bob Ritchie goes by, he seems to get embroiled in controversy at some point. After exploding onto the mainstream (in the U.S. anyway) with 98’s “Devil Without A Cause” (15 million sold mofo) the Kid followed that up with his next album offering “Cocky”. The album is an absolute smorgasbord of styles, throwing Hip-Hop, Country Rock, Heavy Metal, Hard Rock and smooth, almost gospel licks into the mix. 

We give the record a spin, work out if it’s any good, discuss the Rock/Pam Anderson coming together and everything else surrounding the leader of the Twisted Brown Trucker Band.

 

 

Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.

 

Produced by Ning@studio2

On this episode we head back into the Jukeboxpod A-Z. Artists covered include All Saints, Amy Winehouse, Anthrax, Arianna Grande, Avenged Sevenfold and lots, lots more. Discussions of Onlyfans, teary films, The (apparently) Greatest Guitar Solo of All Time, charity donations, Katy Perry’s dimensions & The Video Man ensue.

 

 

 

Stop your family being shamed for all eternity by handing out an high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.

 

Produced by Ning@studio2

 

Title music by StewyD & Del Jones

 

 

On this episode we head back once again to 1996 to look at a band often mentioned on the pod. "Coming Up" is the third album by alternative/indie rock band Suede, released on September 16, 1996. The album marked a significant point in the band's career, following the departure of guitarist Bernard Butler, who had been a key songwriter for their first two albums. Despite the change in lineup, Suede managed to produce a commercially successful and critically acclaimed album.

 

Musically, "Coming Up" features a more polished sound with hooky, pop reps compared to the band’s previous efforts, incorporating elements of glam rock and Brit Pop. It includes tracks like "Trash," "Beautiful Ones, "Film Star” & “Saturday Night," which became some of the band's most recognisable songs. 

 

"Coming Up" received positive reviews from critics and was praised for its catchy melodies and anthemic choruses. It debuted at number one on the UK Albums Chart thanks to loads of airplay at the time and an insatiable appetite for British guitar bands. 

 

 

 

Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.

 

Produced by Ning@studio2

 

Title music by StewyD & Del Jones

 

Ok, we’re back & it’s 2025 so let’s kick off with an album we’ve wanted to cover for a fair while… 

"Monster" is the ninth studio album by R.E.M., released on September 29, 1994. The album marked a significant departure from the band's previous work, putting forward a somewhat more aggressive sound that combined elements of alternative rock and grunge, really popular in the early 90’s, don’t you know?

 

The recording of "Monster" was influenced by the personal struggles of frontman Michael Stipe, particularly in the wake of the band's rise to fame and the challenges of maintaining their identity. The album features themes of alienation, fame, and sexuality, with lyrics that often reflect Stipe's introspective style.

 

Musically, "Monster" is characterised by heavy guitar riffs, a driving rhythm section, and a raw production quality, which contrasts with the polished sound of their earlier efforts. The album includes notable tracks such as "What's the Frequency, Kenneth?", "Bang and Blame", and "Strange Currencies." "What's the Frequency, Kenneth?" became one of the band's most recognized songs, receiving significant radio airplay and being all over MTV at the time.

 

"Monster" was both a commercial success and a point of contention among fans and critics. It debuted at number one on the Billboard 200 chart and was certified multi-platinum in the United States. However, some critics were divided over the shift in sound and lyrical content.

 

The album is often viewed as a pivotal moment in R.E.M.'s career, as it marked their transition into the 1990s rock landscape while also reflecting the band's ability to evolve and experiment with their music.

 

You know the crack by now, let’s see if it’s any good or not.

 

Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from those seedy clubs, you know the ones x

 

Produced by Ning@studio2

 

Title music by StewyD & Del Jones

 

 

Wowzers! More than 3 years after part 1 of our look back through the music of U2 we return to finally conclude the band’s career. Picking up where we left off last time, we take the Zoorapa-shaped baton and slog it through right up to latest 40 track (!!?!) effort. Does mid-late U2 measure up? Are there any bangers? Can Bono and the boys still write a tune? Listen in & find out son.

 

Be our mate by handing out a solid handshake and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too!

If you’ve got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com 

You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always, stay away from older men offering you sweets, you know the ones x

 

Produced by Ning@studio2

 

Title music by StewyD & Del Jones